The Sequenza series is regarded as one of the most important cycles of the 20th century. In this series Berio discovers the capabilities of an instrument and its. Sequenza I is a composition written in by Luciano Berio for the flutist Severino Gazzelloni. “Rhythm and Timing in the Two Versions of Sequenza I for Flute Solo: Psychological and Musical Differences in Performance” by Cynthia Folio. November Berio’s Sequenza I has been a part of the modern flutist’s cannon ever since it’s publication in by Zerboni in Milan. The.
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This juxtaposition of regulated versus improvisatory musical materials, however, was not the main impetus behind Sequenza I. Sequenzas; Due Pezzi; Musica Leggera; etc.
Sequenza I – Wikipedia
Sequenza I, for flute
Berio notated the piece so that an individual staff line has a fixed duration, while the durations of individual notes are indicated proportionately–that is, a small distance between one note and the next denotes a short duration, whereas a greater distance denotes a longer duration. Spontaneity in performance, then, comes from the moment-to-moment adjustments of rhythm and performance gesture called for by Berio’s suggestive–rather than prescriptive–notation.
Quality excellent, and I want to point the great attention that I had from the staff.
It’s interesting in this video the point of view of Pahud, because he played for Berio itself, and as Pahud said, Berio flte happy with his interpretation, but this make a completely different point of view from him Pahud and that’s why these is one of the most interesant videos of all bunch.
Drinking Hanging Out In Love. And of course, not too much people have the possibility of take a Berio’s sequenza masterclass every day. Name Review Rating 5 4 3 2 1. This kind of “open” structure allows for flexibility within an otherwise rigorous form.
Sequenza I, for flute | Details | AllMusic
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This is one of the most difficult pieces for flute. Rainy Day Relaxation Road Trip. Introspection Late Night Partying.
Learn hands-on advice on technique, sound and musical interpretation – exemplified through masterclasses of some of the most important and beautiful works. Sustained pitches are set against fast passagework, high is set against low, aggressive against introspective: Works for Flute Solo. Genre Chamber Music Classical. Login Remember Me Don’t have an account? Berio’s precedents in this regard include the solo flute and other solo instrumental works of Bachbut the harmonic language of the twentieth century required a new approach to this “virtual polyphony.
Masterclasses Learn hands-on advice on technique, sound and musical interpretation – exemplified through masterclasses of some of the most important and beautiful works.
Romantic Evening Sex All Themes. The melodic and harmonic content of Sequenza I sequsnza out of Berio’s serial-influenced language, resulting in a highly controlled employment of pitch.
Share on facebook twitter tumblr. Sequenza I was written for the flutist Severino Gazzelloniwho premiered the work at Darmstadt in The actual realization of such guidelines is left to the player in such a way that specific elements in the score will vary with each performer and each performance.
AllMusic Featured Composition Noteworthy. Luciano Berio’s Sequenza I for flute is an example of a partially indeterminate musical form. The pitch materials of Sequenza I are initially simple, consisting seequenza of descending chromatic scale passages that incorporate octave displacement and rhythmic ambiguity. Like Berio’s sequenzx solo works–and apart from certain rhetorical-historical commentary that flutr be present in these–Sequenza I embodies a quest for counterpoint and harmony through the means of a single melodic line.
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